Sunday, December 6, 2009

.russianbare.free Dvd Online

Post Rock? No thanks! Isis in Substage

Ever in a band played? Then the situation is well known: holed up with colleagues in a basement, put it under a couple of mushroom, smoke maybe a couple Riesenjogis or otherwise brings to boil. Then jammed. It joins the reef to reef and succeed in the rhythm section from scratch the most complex breaks and tempo changes, the lead guitarist gets more and more ecstatic and surprised the singer, is included writhing in ecstasy, with never any mysterious Indian-style, ethnic chants. After three hours played by all sink exhausted but happy again sit-down rehearsal room sofa and feel like the Grateful Dead for their legendary concerts at the pyramids Giza 1978th That was definitely the best thing since the devil has entered Robert Johnson musicians and fortunately, the tape ran along the whole time! Disillusionment follows after sobering up: The tape is listening to the assembled crew. In hypnotic loops fader Soundbrei flows from the speakers. After fifteen repetitions just about any guitar run is monotonous, the drummer shows some promising approaches that riding around with eternal fact not even be original, the keyboard sounds are mentioned at best, bizarre, and the singing acts before all the hullabaloo just unstructured yet. Pure frustration, the tape will be erased with all consent.
Isis are apparently gone the opposite way and have learned their rehearsal room jam tapes by heart. A considerable hard work, the effect on their plate and not at all missed. Live urges, as to visit on Friday at the Substage was, however, on the suspicion that the hype about the guys around beard Aaron Turner (Vox / Git) springs from the tendency of some pop criticism, any lack of accessibility to art, all messed up Schwurbelei for originality and raise lack of entertainment value to the profundity. If the post-rock is, may never end Rock. Coming Soon KISS, thank God! N'Roll

Wednesday, December 2, 2009

Coughing Up Green Mucus Balls

The madness has a face: Knucklebone Oscar

I'm always there for me there was nothing new in rock. But far from it, something like Knucklebone Oscar last Friday in the Old hackery I've never seen before: they lock a bunch of monkeys fifteen years in a darkened room, fed only with whiskey mash and Leopard testicles, she sonicated day and night with Chuck Berry Ike Turner & the Kings of Rhythm, Motörhead and the Meteors, and they were to play musical instruments instead of car tires in the feet, would probably all come out something like that here - and I'll bet my cowboy boot collection that was just the same. In any case Knucklebone has been active since at least 1993, even a - moderately shaved - not unlike monkeys arguing (according to band info he by no means down) and his three colleagues also act not exactly inspire confidence - I dare to forecast the time that they had this band is tarred and feathered in the 80's said from the city, at least in Bavaria. Musically, the whole as indicated between 60s-Soul, garage punk and rockabilly - if unspectacular - but what does this band Finnish Yetis für'n fire in the ass, there is one for the survival of the polar ice caps and fear Bang. Front of the stage, or back in the audience, hopping from barstool to barstool, or perched on the counter, whether with fingers, with the tongue, with the shirt, or your ass handed to beer bottles, Knucklebone is everywhere and nowhere and plays with all everything on the guitar - this is the way it must have been, as "Acca Dacca", nor the gay clubs of Sydney brought to a boil. As a comparison I find it really only because Michael "Olga" Algar one of the Toy Dolls, this is such a madman. Song titles like "Rockabilly Messiah", "Bantam Fight" or "Boogie Bedouin" from their latest hit album Back From The Jungle (Rookie Records) say the rest. I am serving, completely!