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The New Shy Guy At The Show

Shy Guy At The Show are just different. Nothing about this band is usually not unimaginative, nothing boring. The packaging it begins: "The Birth Of Doubt" is written on the black box the size of a paperback book, inside is a booklet, a comic book. The pages are black and white, the images disturbing and cool aesthetics. It seems an angel to go, the sky turned to the back, to get people to turn. First among them the CD from the cover holds the Angels to the viewer answers a half-eaten apple, a reference to the Fall. Smells of concept album! And indeed, each song instead of an explanatory text Strip is assigned. A successful invasion. But now the music: unify As usual SGAT gloomy Goth-rock with indie and electro elements. Overall, Birth Of Doubt harder and straighter than its predecessor, but in its sonic opulence and diversity somehow baroque. They range from progressive disease ("The Birth Of Doubt", "Your Church Is Grotesque"), Sisters of Mercy-Of-rockers ("Paris Is In Flames," "House of Elsewhere"), Industrial-tamper ("Beverly Hills"), up to oriental tunes ("The Dance") and eventually soft sounds ("Meditation", is lapped by the deep voice of Sebastian Emling only by piano). A great album that you can order here . (Mex)

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Record Release: Shy Guy At The Show

Some may have noticed that I've updated the blog lately not in the usual regularity. The reason is that I moved to Brunswick professionally. The thematic focus will shift that is necessarily a little - do not worry, it will continue to be more than just reports on Such A Surge . Give

Be it 2006, the first time at the Karlsruhe "New Bands Festival occurred in appearance are Shy Guy At The Show the slightly different band from the southern Palatinate (The band members come from Lustadt, Leimersheim, Hördt and Rheinzabern, rehearsals will Wörth) - have not successfully found their names on the theme of disintegration. Somehow disturbing, yet fascinating, frightening and yet strangely captivating these outsiders who play music for absinthe drinker, but can still bring any beer tent to shake if they want. Musically SGAT are by far not the only ones on models such as Sisters of Mercy, Depeche Mode and Joy Division, or pioneering German bands like Kraftwerk and camouflage called, but what other band would sound on the idea of recording a concept album, its mad story of a nameless angel who returns to paradise back to the people who like art to learn of the doubt, based on Goethe's Prometheus? What other band would be beyond the idea that instead of text, enclosed with a 50-page comic strip in which it is the tragic hero of this saga itself? And what other band it in times of American Idol and etching your music podcasts on Cormac McCarthy, Herman Melville and Edgar Allan Poe to the Internet when they are asked for their literary influences? "The music is just a potential way to a complex concept, such as from 'The Birth Of Doubt to open up,'" says Sebastian Emling, singer and artistic mastermind of the multimedia mammoth project. "Especially appealing and challenging at the production was undoubtedly the multi-directional approach. Literature played besides photography and cinematography (the last work with an award-winning Dutch film crew in the music video were completed only recently, the author) is as important as a source of inspiration, as the musical focus on specific models. Thus, the comic also be included on the CD, he was leafing through virtually the same time the chosen song passages as spoken word recorded. "
have lasted over a year to work on The Birth of Doubt, now SGAT represent the results of their research trip to extra-musical spheres before last. "The past year has given us artistically, physically and especially financially almost shooter. But we are very proud of our work and burn it, it finally get to finally live a corporeal audience, "Emling says with a glint in his eyes expectant. On Saturday, 23.1. To 20pm, in the Karlsruhe Club The center will be ready. As special guests with this Tones Of Home are from Sweden.

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Post Rock? No thanks! Isis in Substage

Ever in a band played? Then the situation is well known: holed up with colleagues in a basement, put it under a couple of mushroom, smoke maybe a couple Riesenjogis or otherwise brings to boil. Then jammed. It joins the reef to reef and succeed in the rhythm section from scratch the most complex breaks and tempo changes, the lead guitarist gets more and more ecstatic and surprised the singer, is included writhing in ecstasy, with never any mysterious Indian-style, ethnic chants. After three hours played by all sink exhausted but happy again sit-down rehearsal room sofa and feel like the Grateful Dead for their legendary concerts at the pyramids Giza 1978th That was definitely the best thing since the devil has entered Robert Johnson musicians and fortunately, the tape ran along the whole time! Disillusionment follows after sobering up: The tape is listening to the assembled crew. In hypnotic loops fader Soundbrei flows from the speakers. After fifteen repetitions just about any guitar run is monotonous, the drummer shows some promising approaches that riding around with eternal fact not even be original, the keyboard sounds are mentioned at best, bizarre, and the singing acts before all the hullabaloo just unstructured yet. Pure frustration, the tape will be erased with all consent.
Isis are apparently gone the opposite way and have learned their rehearsal room jam tapes by heart. A considerable hard work, the effect on their plate and not at all missed. Live urges, as to visit on Friday at the Substage was, however, on the suspicion that the hype about the guys around beard Aaron Turner (Vox / Git) springs from the tendency of some pop criticism, any lack of accessibility to art, all messed up Schwurbelei for originality and raise lack of entertainment value to the profundity. If the post-rock is, may never end Rock. Coming Soon KISS, thank God! N'Roll

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The madness has a face: Knucklebone Oscar

I'm always there for me there was nothing new in rock. But far from it, something like Knucklebone Oscar last Friday in the Old hackery I've never seen before: they lock a bunch of monkeys fifteen years in a darkened room, fed only with whiskey mash and Leopard testicles, she sonicated day and night with Chuck Berry Ike Turner & the Kings of Rhythm, Motörhead and the Meteors, and they were to play musical instruments instead of car tires in the feet, would probably all come out something like that here - and I'll bet my cowboy boot collection that was just the same. In any case Knucklebone has been active since at least 1993, even a - moderately shaved - not unlike monkeys arguing (according to band info he by no means down) and his three colleagues also act not exactly inspire confidence - I dare to forecast the time that they had this band is tarred and feathered in the 80's said from the city, at least in Bavaria. Musically, the whole as indicated between 60s-Soul, garage punk and rockabilly - if unspectacular - but what does this band Finnish Yetis für'n fire in the ass, there is one for the survival of the polar ice caps and fear Bang. Front of the stage, or back in the audience, hopping from barstool to barstool, or perched on the counter, whether with fingers, with the tongue, with the shirt, or your ass handed to beer bottles, Knucklebone is everywhere and nowhere and plays with all everything on the guitar - this is the way it must have been, as "Acca Dacca", nor the gay clubs of Sydney brought to a boil. As a comparison I find it really only because Michael "Olga" Algar one of the Toy Dolls, this is such a madman. Song titles like "Rockabilly Messiah", "Bantam Fight" or "Boogie Bedouin" from their latest hit album Back From The Jungle (Rookie Records) say the rest. I am serving, completely!