The grave can not escape: Amorphis in Substage
"is our biggest asset and the first step to the grave," said the former businessman Reinhold Würth. Admittedly it is somewhat unorthodox concert initiate discussions with Industiellensprüchen, but if the Künzelsau "King of Screws" is right, is Esa Holopainen, guitarist and Annführer Amorphis privilege of eternal life. For Amorphis are a strange band. In the truest sense of the word in a sense, amorphous, even incomprehensible. With their strange, epic, sort of progressive goth-folk, the Finns, like Paradise Lost or the dissolved Sentenced, their Death Metal roots but has long outgrown, really struck roots but they have since been no more: With this music could also Nichtvulkanier - without the aid of a cannabis vaporizer - beamed to another dimension. With their latest Burner, Skyforger, Amorphis, these transport technology, which it on the previous two Eclipse and Silent Waters perfected proven, yet.
Consequently, there was on Wednesday in Substage the setlist, including five brand new songs, two thirds of material from the last three albums, of which so far achieved two gold status. shows, but not the golden path of success for Amorphis without breaks: While one of the opening double whammy "Silver Bride" and "Sampo" by the current drive next to the hymn "Silent Waters" of the outstanding moments, but hangs while consistently well-meaning audience the very large tuning only in "Black Winter Day" and "Sign From The North Side" of the former by the critics as not particularly inspired death metal Scheib Latvians maligned early works Tales Of The Thousand Lakes and The Karelian Isthmus on. Not without irony, that Pasi Koskinnen whose melodic voice and move away from the initial sound was put more and more into the foreground, announced his position in 2004 to devote himself to a Death Metal project. Now, the former frontman Tomi Sinisthra Joutsen got the mic in his hand, the growls again reinforced. Your own home can deny not. In a death metal band that happens to be the grave.
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